Expansion Records

Few individuals have done more to champion Soul music in the UK than Ralph Tee. A DJ, presenter, journalist, and co-founder of Expansion Records, Tee’s name has long been a hallmark of credibility and class. As he celebrates his 65th year, and over five decades immersed in the scene, his story reads like a love letter to Soul itself.

“I’ve always believed Soul music deserves to be heard, understood, and celebrated, not just played.” – Ralph Tee

A London Soul Boy with a Vision

Born and raised in North West London, Ralph Tee was captivated by Soul music from an early age. By the age of 15, he was spinning 7-inch singles at school dances, nurturing a following that recognised his rare sense of taste.

“He didn’t just play the records — he wrote their history.”

At just 20, he launched his own magazine, Groove Weekly, before joining the editorial team at the legendary Blues & Soul, where he rose to Assistant Editor, a relationship that continues to this day. His penmanship would later grace Mixmag, and he went on to author two landmark books, Who’s Who in Soul and The Story of Soul, both essential reads for collectors and aficionados alike.

Defining the Soundtrack: Behind the Decks

Ralph Tee’s DJ career took shape in the early 1980s, a time when London’s club circuit was electric with Soul, Funk, and emerging dance sounds. In 1984, he made history as the first DJ to play downstairs at the iconic Ronnie Scott’s, bringing the energy of the underground Soul scene into one of the capital’s most revered jazz spaces.

From there, he became a familiar name behind the decks at venues including Hippodrome, Equinox, Heaven, Spiritland, Merchants Tavern, and Saturday Soul Affair. His sets blend precision and passion; the product of decades spent living and breathing the culture.

Alongside fellow tastemaker Richard Searling, Ralph co-founded the Luxury Soul Weekender in 2003.  The event has grown into the spiritual home of modern Soul fans, celebrating its 20th anniversary in 2023.

On the airwaves, Tee has been equally influential. From his early days at Invicta FM with Gilles Peterson to his celebrated runs on Jazz FM and his ongoing monthly show on Solar Radio, Ralph continues to be a trusted curator for Soul devotees worldwide. His shows remain accessible via Mixcloud, keeping the vibe global.

“For Ralph Tee, Soul isn’t a genre — it’s a lifetime pursuit.”

Internationally, Ralph’s story extends far beyond Britain. As one half of Diplomats of Soul with Mike Allin, he has taken the music to stages in Thailand, Malaysia, and Indonesia, and performed at the Australian National Northern Soul Weekender, spreading the sound to every corner of the globe.

The Label That Never Lost the Groove

Parallel to his DJ career, Ralph has been a driving force in the music business. Beginning in 1986, he compiled releases for heavyweight labels such as Streetsounds, Motown, and Arista. His work for Arista put him in touch with an extraordinary roster, Phyllis Hyman, Bobby Womack, Patrice Rushen, Kashif, Whitney Houston, and others, shaping how Soul music was presented to UK audiences.

That same year saw the emergence of Expansion Records, a label that would come to define the UK’s independent Soul scene. Initially contributing as a compiler, Ralph later acquired and relaunched the label transforming it into a beacon for both heritage and contemporary Soul artists.

Expansion’s catalogue reads like a dream: Leon Ware, Howard Hewett, Stephanie Mills, Gary Taylor, Leroy Hutson, Billy Griffin, Atlantic Starr, Jean Carne, Angela Bofill, Evelyn “Champagne” King, and, in more recent years, Frank McComb, Maysa Leak, Kim Tibbs, Candace Woodson, and Trina Broussard.

Despite the shifting landscape, streaming platforms, dwindling physical sales, and fragmented audiences, Expansion has endured, driven by passion rather than profit. Its reissue programme, particularly the 7” vinyl series, has reignited collector culture and reaffirmed the label’s commitment to real music, real musicians, and real emotion.

Soul Togetherness: The Expansion Soundtrack

Throughout the 1990s and 2000s, Expansion Records became the benchmark for quality Soul compilations. Its series Soul Sauce, Phat Jams, Winners Circle, and Friend in High Places, defines the soundtrack of a generation.

Then came Soul Togetherness in 2000: the label’s flagship compilation brand, curating the finest in modern Soul and dancefloor gems. The success of Soul Togetherness naturally led to the birth of the Luxury Soul CD series and live events, creating a seamless link between the label’s output and the community that supports it.

“Expansion isn’t just a record label — it’s a movement.”

A Life in Soul: The Legacy of Ralph Tee

Over the years, Ralph Tee has crossed paths with legends, Quincy Jones, Leon Ware, Leon Huff, Patrice Rushen, Bobby Womack, Hubert Laws, George Duke, Natalie Cole, and Gregory Porter, among others. These connections reflect not just his longevity, but his credibility, earned through decades of consistency and integrity.

His contribution extends beyond records and radio, he’s documented the genre’s history, championed its evolution, and preserved its artistry for future generations.

As he celebrates his 65th birthday and 50 years in music, Ralph Tee stands not only as a pioneer but as one of Soul’s most authentic custodians.

“He’s not just part of the story — he’s part of the soundtrack.”

Follow Ralph Tee’s journey:

🎧 Mixcloud
📘 Facebook

Artificial Intelligence is here to stay. It is already shaping the way we search online, how businesses operate, and increasingly, how music is made. The potential is undeniable, but so is the responsibility. In music especially, the question is not whether AI can create, but whether it should.

At expansionrecords.com, we have always championed artists marginalised by the big US labels of the 1960s and 70s. There remains a demand for great songs, remarkable voices and well-produced albums, but the financial rewards have collapsed. Now, with AI advancing at breakneck speed, the risk is that what little value remains for real artists could vanish altogether.

From the Internet to AI

The internet was the first big disruptor. In the 80s and 90s, fans moved from vinyl and CDs to downloads and streaming. With every step, artist earnings fell. Today, a Spotify stream pays mere fractions of a penny. Artists can attract millions of plays and still struggle to cover basic living costs.

The top tier survived on “360 deals,” where labels took cuts of sales, touring, merchandise and endorsements. For everyone else, survival meant hustling. Yet the internet also democratised creation. Affordable software let artists produce from their bedrooms. Platforms like Napster and MySpace gave them audiences without label backing. Some even drew industry attention only after proving they had fans ready to buy.

This was liberation of a kind. But just as the industry adjusted, another disruption arrived: AI.

When the Machine Sings

AI-generated music is no longer fantasy. Algorithms can now produce songs in the style of classic artists, replicate voices with uncanny accuracy, and churn out lyrics in seconds. Entire albums can be created without a human musician.

To consumers, the novelty is obvious. Imagine “new” tracks that sound like Marvin Gaye or Aretha Franklin. For platforms and labels, the profit is irresistible: infinite content, no royalties, no studio costs, no egos.

But is this creativity, or is it fraud?

The Authenticity Problem

Music is more than sound waves. It is lived experience channelled into melody and lyric, an expression of joy, grief, hope or rage. When a soul singer delivers heartbreak, it resonates because it is real. An algorithm can mimic tone and phrasing, but it cannot replicate authenticity.

This is why AI feels like cheating. The consumer may believe they are hearing artistry, when in reality they are consuming an imitation designed to sell. Worse, the real artists already struggling for income will be forced to compete with machines that can generate endless tracks at no cost.

Who Protects the Artist?

The urgent issue is protection. If AI is allowed to mine catalogues, copy voices and generate “new” works without consent or payment, artists are left powerless. Copyright law must evolve to cover vocal likenesses and stylistic signatures.

We have already seen major labels demand the removal of AI-generated tracks mimicking their stars. Deepfake vocal lawsuits are emerging. Yet regulation lags behind technology, and enforcement is patchy. Without intervention, music risks becoming a lawless zone where human artistry is trampled.

Live Music Under Threat

Even live performance, once the final stronghold of authenticity, is under pressure. Abba’s Voyage shows feature digital avatars of the band’s younger selves, performing to packed arenas. Audiences seem content to cheer holograms.

If consumers accept CGI performers, what stops the industry from inventing entirely fictional acts? Artists with no ageing, no scandals, no human flaws, only digital perfection and AI-made hits. It sounds dystopian, but it is already within reach.

Will audiences care? History suggests they might not. Record stores gave way to streaming, auto-tune became the norm, TikTok clips began dictating charts. Each time, convenience won.

A Choice of Culture

The responsibility now lies with industry and consumers alike. We must ask what kind of culture we want to support. Do we want charts filled with machine-made imitations of soul, jazz and pop, or do we want to protect the human voices that gave those genres their meaning?

As a label, our commitment is to artists left behind by the mainstream. Fans still hunger for the grit of lived experience, the imperfection of human performance, the thrill of discovering new voices. That is worth defending.

AI can have a place, but as a tool, not a replacement. It can help artists experiment, speed up production, or lower barriers to entry. Used responsibly, it can assist creativity. Used recklessly, it risks wiping out the very humanity that makes music matter.

Who Are We Deceiving?

“To AI or not to AI” is not an abstract question. It is the decision facing the entire industry. If we embrace AI without safeguards, we are deceiving consumers, telling them imitation is enough. Worse, we deceive ourselves into believing culture can survive without its human core.

We risk reducing music to product, stripping away soul and truth, and telling marginalised artists that their voices are disposable. AI can be part of progress, but only if used with care. Without that, the deception will be total. And when the humanity is gone, what will be left to connect us?

A Market in Transition

The UK music industry is in a fascinating place right now. In 2024, recorded-music revenues rose nearly 5% to reach £1.49 billion, despite inflation, rising costs, and shifting consumer behaviour. Streaming still dominates, but its growth is slowing. Physical formats are more volatile than ever, with vinyl thriving while CDs slide towards irrelevance.

For artists, fans, and labels, these shifts are reshaping how music is released, marketed, and consumed. And for independent pioneers such as Expansion Records, the UK’s leading soul label, 2025/26 will be a milestone moment: their 40th anniversary, right in the middle of this industry transformation.

Vinyl: The Revival That Won’t Quit

Vinyl continues to be the hero of physical media. In 2024, UK listeners bought around 6.7 million LPs, generating close to £200 million, up more than 10% year-on-year. Collectors, casual fans, and superfans alike are driving demand, often through limited runs, coloured pressings, and deluxe packaging.

Big name artists like Taylor Swift, Billie Eilish, and Sabrina Carpenter dominate headlines, but vinyl’s appeal goes much deeper. Indie and niche genres are flourishing in this space too. Labels like Expansion Records, which has championed soul, funk, and jazz since 1986, are perfectly positioned. Their catalogue translates beautifully onto vinyl, appealing to collectors who value timeless music in premium physical form.

With Expansion Records celebrating 40 years in 2026, expect exclusive reissues, limited editions, and anniversary vinyl to become highly sought-after among UK collectors and soul fans worldwide.

The Collapse of the CD

While vinyl is thriving, CDs are facing a starkly different reality. In mid-2025, UK CD sales dropped by more than 20% year-on-year. Without blockbuster releases to prop them up, the format is quickly losing relevance.

Unlike vinyl, CDs don’t offer nostalgia or cultural cachet. They lack the tactile appeal of records and the convenience of streaming. For collectors, they’re simply not desirable. Labels that once relied on CDs as the mainstay of their physical sales are shifting focus towards vinyl or digital.

Expansion Records is a good example of this pivot. Their emphasis on vinyl reissues and high-quality pressings of classic and modern soul has helped them stay relevant while others have seen physical sales collapse. Now while no longer the core business, and more to support the long standing audience of collectors and supporters Expansion maintains, they still do release CDs. The mastering will always be superior to streams, and the credits, liner notes, and photos they contain have value and this is appreciated.

Streaming Dominance and Slowdown

Streaming remains the backbone of UK music consumption, making up about 68% of all revenue in 2024. But its growth is plateauing, with year-on-year increases now closer to 5% than the 8–9% we once saw.

Market saturation is the main culprit. Most listeners who want a subscription already have one. Future revenue growth will come from price rises, bundling with other digital services, or better monetisation of catalogue music. But this also raises questions: will fans stick around when prices increase? And how much of that money will reach the artists and labels?

For independent labels like Expansion, streaming is both a blessing and a challenge. It ensures their artists reach global audiences instantly, but revenue share remains an ongoing battle.

Collectors, Superfans, and Indie Shops

The vinyl revival is fuelled by collectors and superfans, who treat records as cultural artefacts. Limited editions, anniversary reissues, and Record Store Day exclusives are driving sales.

Independent record shops have been central to this resurgence. They’re not just retail outlets, they’re community hubs and curators. Labels such as Expansion Records have long relied on indie shops to connect directly with dedicated fans of soul, funk, and R&B. As vinyl continues its upward curve, these relationships will only grow in importance.

Challenges Ahead

The industry still faces serious challenges:

• Volatility of physical sales: Vinyl growth depends on major releases and collector interest. Without big events, numbers dip.

• Production costs: Pressing vinyl is expensive, with rising material and distribution costs squeezing margins.

• Sustainability concerns: The production of multiple vinyl variants raises environmental questions. Fans and artists are calling for greener alternatives.

For labels celebrating milestones, such as Expansion’s 40th anniversary, these challenges may also present opportunities. By innovating in packaging, sustainability, and fan engagement, they can set themselves apart while still honouring their legacy.

Opportunities for Independent Labels

The current market offers plenty of opportunities for independent labels to thrive. Vinyl has given physical media a cultural rebirth, and streaming provides global reach. For Expansion Records, whose roster includes both classic reissues and fresh soul releases, the next year will be pivotal.

Their 40th anniversary isn’t just a milestone — it’s a chance to spotlight four decades of curating the best in soul, funk, and jazz. Expect collectors to clamour for exclusive vinyl editions, box sets, and anniversary events that tap into both nostalgia and forward-thinking curation.

Conclusion: Looking to 2026 and Beyond

The UK music industry remains strong, but its future is unevenly spread. Vinyl has carved out a lasting role, streaming is showing signs of maturity, and CDs are fading fast. For independent labels like Expansion Records, this is both a challenge and an opportunity.

As they prepare to celebrate 40 years at the forefront of UK soul in 2026, Expansion exemplifies how to survive, and thrive, in a changing industry. By leaning into vinyl, embracing collector culture, and using streaming strategically, they show that independence and longevity can coexist in today’s marketplace.

For fans, this means more than just access to music. It’s about connecting with heritage, collecting pieces of history, and celebrating labels that have shaped the soundtrack of our lives.

 

Expansion Records, based in the UK, has long been a vital conduit between glossy modern soul lovers and the often under-heralded gems of past decades. Their mission, as stated on their site, is to offer “the level of quality soul largely abandoned by US labels.” (expansionrecords)

That’s a strong claim, and it sets the stage: we’re dealing not just with nostalgia, but with reclamation. Labels like Expansion are doing archival work: restoring, reissuing, recontextualising music that may have been under-distributed, forgotten, or just overshadowed. Eighties Ladies is one such artifact, representative of its era but also telling in how its parts have been fragmented (solo careers, minor disco/modern soul hits) until brought together here.

The Artists: Who Are the Eighties Ladies?

The group “Eighties Ladies” is a vocal ensemble. The line-up comprises:

• Denie Corbett
• Marva Hicks
• Susan Beaubian
• Sylvia Striplin
• Vivian Prince (expansionrecords)

Each of these women had solo or side projects that brush up against disco, boogie, modern soul, and beyond:

• Denie Corbett had solo disco output (for example What You Won’t Do For Love) and collaboration in disco-flavoured ensembles.
• Marva Hicks is perhaps better known in some circles for her later modern soul work; her debut solo single Looking Over My Shoulder (1978) is mentioned, and then the modern soul marker One Good Reason from her 1991 debut album. (expansionrecords)
• Vivian Prince recorded a boogie track Gotta Get A Hold On You in 1982.
• Sylvia Striplin is already recognised among aficionados for her solo work (Give Me Your Love) and its resonance in jazz/soul/boogie collectorship. (expansionrecords)
• Susan Beaubian is less immediately visible in major solo hits (at least per the information on the Expansion page), but as part of this ensemble she contributes to a collective sound representative of late ’70s/early ’80s vocal group sophistication.

What makes this interesting is how their solo identities are variously strong but also incomplete in reaching a broader audience; the ensemble, and this reissue, provides a better lens to see their collective power, shared aesthetics, and cross-pollinated genres: disco, boogie, soulful grooves, balladry.

The Music: Eighties Ladies (Ladies Of The Eighties) LP

Let’s talk track-by-track, style, arrangement, production, and why the LP matters.

Tracks & Sequencing

Side One

1. Ladies Of The Eighties
2. Tell Him
3. He Is Mine Forever
4. Ladies Of The Eighties (Instrumental)

Side Two

1. I Knew That Love
2. It’s Easy To Move
3. Sing Me
4. Turned On To You (expansionrecords)

That’s eight tracks, fairly evenly split between more up-tempo/arranged works and smoother, slower numbers. The instrumental version of the title track suggests that the original producers valued the arrangement, the instrumental twine, as much as the vocals – likely for DJs, for fans who like the orchestration, or perhaps for alternate usage (remixes, radio plays etc.).

Style & Production

From what is known about the group, the instrumentation and production likely draw from that junction between late disco and early modern soul / boogie. The term “boogie” is relevant because Vivian Prince is noted for that. The arrangements likely feature:

• Lush strings or string synths (common in post-disco vocal tracks)
• Strong rhythm sections (bass/guitars) with emphasis on groove over overdubbed sheen
• Background vocal interplay: harmonies, layering, call-and-response, which is key in ensemble vocal groups of that era
• Slower ballad tempos counterposed with more danceable tracks, creates tension, contrast, and flow in LP sequencing.

The presence of It’s Easy To Move and Turned On To You suggest movement toward mid-tempo groove and perhaps funk or boogie-leaning. I Knew That Love and He Is Mine Forever probably allow for more vocal showmanship, emotional delivery, romantic soul tropes.

Signature Tracks

• Turned On To You is highlighted in the summary as one of their best‒known tracks. (expansionrecords)
• Ladies Of The Eighties as both a title track and an instrumental suggests it might be the centrepiece of the album.

These tracks likely serve two purposes: for dancers/fans, they embody groove and allure; for collectors, they are rare or lesser-heard works now being made more accessible.

The Release: Reissue Details & Implications

Format & Pricing

• It’s has been reissued as LP (vinyl), a format with both symbolic and sonic importance. Vinyl often implies a richer listening experience, care for mastering, and targeting collectors. Price is £15.99 in the UK. (expansionrecords)
• This LP is clearly aimed at the vinyl collector market. (expansionrecords)

Rarity & Rediscovery

Given that these artists had pieces out, but perhaps not widespread reissues or mainstream recognition, this LP offers rediscovery. It reminds listeners (and the industry) that much good work from women in vocal ensembles in that transitional period (late ’70s → early ’80s, disco → boogie → modern soul) was under-archived. For many, pieces like this existed in scratchy vinyl, private collections, or only in regional DJ sets.

Expansion’s reissue places these works in a curated context, giving them second life, better production (hopefully remastered), and visibility.

The Cultural Moment

We’re in a moment where collectors, DJs, younger listeners are hungry for authenticity: original vocal groups, soulful female voices, pre-digital instrumentation. Retro soul and boogie are hot again. Platforms like Bandcamp, vinyl fairs, crate digging, reissue labels all show the demand is there.

So Ladies Of The Eighties now is not just a nostalgic throwback but part of a wider cultural reclaiming: for women’s musical histories, for black vocal ensemble tradition, for the nuanced transitions from disco through post-disco to modern soul. It bridges eras.

Critical Reflections

I’m going to be unsparing in some observations: reissues are not inherently noble; their value depends on execution.

• Remastering & Robust Packaging: This reissue preserves fidelity, removes noise where possible without sterilising, and includes liner notes that give context. How well Expansion has done this in Ladies Of The Eighties will matter. But sometimes the sheer fact of reissue is enough for many listeners.
  
  
• Historical Accuracy vs. Romanticism: There is often a tendency to romanticise past eras, gloss over problematic production or dated tropes (lyrics, gender-norms, themes). This reissue lets the music speak in its terms but also does not ignore its moment.

The Significance Going Forward

What this release signals:

1. The Rise of Rediscovery as Canon-Building
   Works that were once marginal (or at least peripheral) are now being re-evaluated and inserted into broader narratives of soul, disco, boogie, and modern R&B. The old canon (e.g. Motown, Philly soul, classic ’60s/’70s funk) is being expanded to include these vocal‐ensemble, disco-leaning works of the transitional early ’80s.
   
   
2. Women’s Voices & Ensemble Culture
   The spotlight on multiple women in the same group (with somewhat established solo credentials) is meaningful. It’s not just solo divas, it's ensembles combining voices. That ensemble tradition (call and response, harmony, group dynamic) has often been under-celebrated compared to solo performers. This boosts appreciation for group cohesion, arrangement, and vocal interplay.
   
   
3. The Vinyl Collectors & Vinyl Resurgence
   As LP racks fill up again, reissues become a bridge: older albums get new life. Not only for the initiated crate-diggers but for newer soul fans who missed these releases the first time around. This provides both emotional satisfaction and also economic incentive for labels to dig deeper, restore more obscure works.
   
   

Final Thoughts

Ladies Of The Eighties by Eighties Ladies might at first glance appear to be “just another reissue,” but it’s richer than that. It sits at crossroads: female ensemble vocal work; disco → boogie → modern soul transitions; recognition of artists who had talent but not always access or visibility; and the contemporary hunger for rediscovery and authenticity.

If Expansion Records has done this well (and on their track record, they often do), this reissue serves not just as a collector’s piece but as a piece of soul-history: a gentle reclamation of voices, styles and songs that deserve to be heard. It's also a tribute to the late songwriter, musician and producer Roy Ayers who assembled and worked with the group

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In the vibrant tapestry of 1970s and early 80s music, certain artists defied easy categorisation, blending genres with a fearless creativity that pushed boundaries and enriched the sonic landscape. Webster Lewis was one such artist – a brilliant pianist, keyboardist, composer, arranger, and bandleader whose work spanned jazz, funk, soul, and disco, leaving an indelible mark on each. The release of "Give Me Some Emotion – The Epic Years Anthology 1976-1981" by Expansion Records is a timely and essential celebration of his most prolific and ground breaking period, offering a comprehensive look at an artist whose influence continues to resonate.

From Baltimore to the World Stage

Born in Baltimore, Maryland, Webster Lewis's musical journey began with a classical foundation, training at the New England Conservatory of Music. This rigorous background provided him with a profound understanding of theory and composition, which he masterfully integrated into his increasingly diverse musical explorations. While his roots were in jazz, Lewis possessed an insatiable curiosity and a rare ability to bridge the gap between academic sophistication and street-level groove.

By the mid-1970s, Lewis had established himself as a formidable presence in the jazz world, but his vision was far grander. He understood the evolving soundscapes of the era, recognizing the burgeoning power of funk, soul, and disco. His move to Epic Records marked a pivotal moment, allowing him the platform to fully unleash his eclectic genius and bring his ambitious projects to life.

The Epic Years: A Kaleidoscope of Sound

"Give Me Some Emotion – The Epic Years Anthology 1976-1981" meticulously chronicles this incredibly fertile period, showcasing Lewis's four albums for the label: "On The Town" (1976), "Touch My Love" (1978), and "8 For The 80's" (1979). These albums are a testament to his versatility and his uncanny ability to craft music that was both intellectually stimulating and undeniably danceable.

His debut Epic album, "On The Town” immediately signaled his intentions. While firmly rooted in jazz-funk, it showcased a pop sensibility and an adventurous spirit. Tracks like "Barbara Ann" demonstrated his intricate instrumental prowess, while others hinted at the soulful vocal arrangements that would become a hallmark of his later work. It was an exciting introduction to an artist unafraid to experiment.The album also saw Lewis further refine his sound, incorporating more prominent vocal features and tightening his grooves. This album is a masterclass in sophisticated funk, with Lewis's keyboard work – from the Fender Rhodes to synthesisers – providing rich textures and infectious melodies. It was on this record that his ability to weave complex arrangements into accessible, feel-good music truly blossomed.

The title track of "Touch My Love" became a signature tune, an enduring classic that epitomises the sophisticated disco and soulful R&B of the era. This album showcased Lewis's growing mastery of vocal production, featuring collaborations with talented singers who brought his lush compositions to life. It's an album brimming with warmth, romance, and an irresistible groove that has stood the test of time. This period also saw Lewis's growing recognition, with "Touch My Love" becoming a hit and solidifying his reputation beyond jazz circles.

"8 For The 80's" served as a prophetic capstone to his Epic tenure, showcasing his forward-thinking approach. As the title suggests, Lewis was already looking ahead, incorporating new electronic sounds and a more polished production aesthetic that anticipated the coming decade. Tracks from this album demonstrate his continued evolution, proving he was never content to rest on his laurels but always pushing the boundaries of contemporary music. In the soul world the album had the uncredited Johnny Baker taking lead on Webster’s most recognised song “Give Me Some Emotion”

Finally “Let Me Be The One” presented classics in the genre become known as jazz funk, namely “El Bobo” and an album with an all star line up of guest musicians including Nathan Watts (bass), James Gadson (drums), David T. Walker (guitar), Marlo Henderson (guitar), Willie Bobo (percussion), and Fred Wesley (trombone) in a full horn section.

Beyond the Albums: A Master Arranger and Collaborator

What makes Webster Lewis's contribution so significant, and what this anthology subtly highlights, is not just his work as a bandleader, but his extraordinary talent as an arranger and producer. He had an innate ability to bring out the best in his collaborators, crafting lush horn sections, intricate string arrangements, and compelling vocal harmonies that elevated every track.

His bands during these years were often comprised of top-tier musicians, a testament to his reputation and the quality of his musical vision. He knew how to blend individual virtuosity into a cohesive, powerful sound. Lewis was also a sought-after session musician and arranger for other artists, his touch adding a layer of sophistication to countless recordings during this era. His influence extended beyond his own discography, permeating the broader musical landscape of the time.

The Sound of an Era, Reimagined

Expansion Records has done an exceptional job with "Give Me Some Emotion." Known for their meticulous curation and dedication to preserving the legacy of soul, jazz, and funk, they have created an anthology that is both comprehensive and lovingly presented. This collection isn't just a re-release; it's a contextualisation, allowing listeners to fully appreciate the arc of Lewis's creativity during these pivotal years.

For long-time fans, this anthology is a treasure trove, potentially offering remastered sound, detailed liner notes, and a chance to rediscover tracks that might have been overlooked. For newcomers, it serves as the definitive introduction to an artist whose work is both historically important and remarkably fresh even today. The packaging, the sound quality, and the overall presentation reflect Expansion Records' commitment to excellence, ensuring that Webster Lewis's music receives the reverence it deserves.

An Enduring Legacy

Webster Lewis's contributions to music are vast and multifaceted. He was a bridge-builder, seamlessly connecting the worlds of jazz, soul, and disco at a time when musical boundaries were often rigidly enforced. His arrangements were sophisticated yet soulful, his compositions complex yet undeniably catchy. He possessed a unique flair for melody and groove, underpinned by a deep understanding of harmony and structure.

"Give Me Some Emotion – The Epic Years Anthology 1976-1981" reminds us that Lewis was more than just a keyboard player; he was a visionary. He created music that was intelligent, infectious, and deeply emotional. His work continues to inspire DJs, producers, and musicians, proving that true artistry transcends time.

This anthology is a celebration of a man who gave us not just some emotion, but a rich tapestry of sounds and feelings that continue to enrich our lives. It's a testament to the fact that some musical journeys, even those from decades past, are still vibrant and ready to be explored anew.

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Every once in a while, a seasoned artist gets a jolt of fresh recognition from an unexpected place. For San Francisco-born soul singer Cornell C.C. Carter, that moment came last night on Jimmy Kimmel Live!, when none other than Denzel Washington casually name-checked him on air. The Academy Award-winning actor admitted he couldn’t recall his full name, referring to him simply as “CC Carter”, but the effect was the same: a Hollywood heavyweight had just placed Carter in the cultural spotlight.

For those unfamiliar with him, Cornell C.C. Carter is no overnight sensation. He has been grafting for years, building a reputation as one of the most authentic voices in modern soul. His music blends classic R&B sensibilities with contemporary polish, earning him loyal followings across Europe, Japan, and among die-hard soul communities worldwide. Known for his silky vocal delivery and emotional honesty, Carter represents a lineage of artists who carry the torch of soul music without chasing fleeting trends.

His latest project, the single It's Over, dropped on 6 June 2025 via Expansion Records. It arrived in two forms: the original cut and a “KC Mix”, both showcasing Carter’s ability to make timeless grooves feel fresh. The single came just after his full album, Expressions of Soul, which saw its CD and LP release. The title says it all — Carter’s music is a lived expression of soul, deeply rooted in experience, heartbreak, and resilience, delivered with a smoothness that feels both classic and contemporary.

For Expansion Records, a label with a history of supporting quality soul releases, It's Over is exactly the kind of record that bridges the gap between dedicated aficionados and curious newcomers. And now, thanks to Denzel Washington’s off-the-cuff endorsement, Carter’s name may find its way to a much wider audience.

The timing could hardly be better. In a music landscape often dominated by short-lived viral hits, Cornell C.C. Carter offers consistency and authenticity. His album catalogue includes gems like One Love, Vindicated Soul, and Absolutely, all of which demonstrate a commitment to craft rather than quick trends. The Expressions of Soul album continues in that vein, delivering what fans have come to expect: heartfelt songwriting, meticulous arrangements, and a voice that resonates with maturity and depth.

Watch Denzel Washington

More on Cornell C. C. Carter

In 2010, Expansion Records released a UK single by a then little-known American jazz and soul singer named Gregory Porter.  The track was "1960 What!", a politically charged anthem that cut through the noise of mainstream playlists and cookie-cutter pop productions.  It was a statement piece, steeped in history and groove, and it hinted at an artist destined for something bigger.  Expansion saw it before the rest of the industry caught on.  Today, Gregory Porter is one of the most recognisable jazz voices in the world; Grammy-winning, festival and critically acclaimed.  But in those early days, it was the independent labels that gave him a platform, Motema Music in New York, and Expansion Records in the UK, not the majors.  Further more, Expansion released a further single On My Way To Harlem in 2013, for the 7" vinyl market in a mix that made it more accessible to mainstream radio.

That story sums up the importance of labels like Expansion Records in today's music landscape.  Where once the US majors acted as gatekeepers, nurturing and developing acts for the long term, their priorities have shifted.  Artis development has been replaced by data chasing.  A&R meeting revolve around TikTok trends and Instagram metrics, not necessarily the strength of the music.  Unless an artist arrives with a ready-made audience and viral numbers, they are unlikely to be given a chance.  In that climate, independent soul labels have become more vital than ever.

Recognising Talent Beyond The Algorithm

When Expansion championed Gregory Porter, they did so because they heard the quality in his music.  They saw an artist with depth, substance and longevity; qualities that algorithms can't measure.  Porter was not a social media phenomenon in 2010.  He didn't need gimmicks or quick-fire content to sell his artistry; he had a voice, a message and authenticity.  Expansion was willing to back that, putting their weight behind a single that resonated with real listeners, not just playlists.

That willingness to recognise genuine talent, regardless of follower counts, is precisely what keeps soul music alive.  Expansion's catalogue is a testament to this ethos.  The label has consistently supported independent soul artists from around the world, offering them a home where the music itself takes precedence.  In an era where major labels are reluctant to invest unless the numbers are already stacked in their favour, Expansion acts as a counterbalance, ensuring that quality doesn't get lost in the shuffle.

The Major Label Shift

It's worth spelling out how start the contrast has become.  Once upon a time, the majors would take risks on acts who needed time to develop.  They'd fund tours, studio time and marketing with the understanding that an artist might not break until their second or even third album.  Think of how many legendary acts were nurtured that way.  But, with the streaming economics and quarterly profit reports now driving the machine, those days are gone.

Instead, majors increasingly wait until an artist has proven themselves independently, often through viral content or by building a huge organic following on social media.  Only then do the majors step in, usually with restrictive contracts that capitalise on an artists' existing audience rather than fostering their growth.  The emphasis is less on developing careers, more on monetising short-term popularity.

Expansion's Global Reach

This is where Expansion Records plays a crucial role.  It's not just about discovering talent; it's about giving independent soul artists from across the glove a platform that respects their craft.  Over the years, the label has worked with acts like Output/Input and Cornell CC Carter from the US; The Brit Funk Association from the UK and Tristan from Holland and beyond, uniting them under shared commitment to quality soul music.

For many of these artists, Expansion provides their first real connection to a wider audience.  The label's reputation within the soul community carries weight.  Collectors, DJs and fans know that if a record comes out on Expansion, it's worth paying attention to.  That stamp of approval is invaluable for independent artists trying to cut through in a saturated market.

Keeping The Soul Scene Alive

Beyond individual careers, labels like Expansion help to sustain an entire ecosystem.  The independent soul scene thrives on pysical releases, specialist radio shows, live gigs and dedicated festivals.  Expansion supports all of that by putting out music that DJs can spin, collectors can treasure and fans can rally around.

Without labels like this, much of that infrastructure would collapse.  Major are not interested in pressing limited-run 7-inches for collectors such as the forthcoming '7-inch Wonders of the World' collection, or in servicing niche radio shows with new underground cuts.  Expansion fills those gaps, keeping the culture alive.  The ripple effect is huge: artists gain exposure, fans get access to fresh talent and the scene maintains its vibrancy.

The Gregory Porter Effect

Gregory Porter's story is the perfect case study.  Expansion's early support helped him find an audience in the UK where soul and jazz communities were already receptive.  That momentum contributed to his eventual signing with Blue Note and his subsequent International breakthrough.  But had Expansion not recognised his potential, could he have reached those heights as quickly?  Or, at all?

It's easy to look back now, when Porter is selling out arenas and topping charts, and assume it was inevitable.  But, at the time, it wasn't.  He needed a label prepared to take a chance on him.  Expansion did exactly that.  And, while Porter may now be a household name, Expansion continues to provide the same lifeline for emerging artists who deserve to be heard.

Why it Still Matters Today

The landscape has only become tougher for independent soul artists in the years since "1960 What!" was released.  The dominance of streaming platforms, the pressure to go viral and the homogenisation of mainstream playlists all work against music that doesn't conform to the current algorithmic formula.

In that climate, the role of Expansion is not just important - it's essential.  By giving artists a platform based on quality rather than metrics, the label ensures that soul music continues to evolve, grow and inspire.  Without such outlets, we risk losing an entire generation of artists whose work may never fit neatly into a viral video but whose music speaks to the human experience in ways that truly matter.

Conclusion:  A Legacy of Substance

When Expansion Records released Gregory Porter's "1960 What!" in the UK, they weren't just putting out a single.  They were making a statement about the kind of music that deserves to be heard.  Porter's subscquent success proves they were right.  More importantly, it proves that there is still immense value in labels that look beyond the numbers and focus on nurturing genuine artistry.

In a world where majors increasingly act as venture capitalists chasing quick returns, Expansion stands as a reminder ofr what record labels are meant to do: discover, support and champion talent.  Independent soul artists - and their listeners who love them - owe a grate deal to labels like this.  Without them, the soul scene would be poorer; quieter and far less diverse.

Gregory Porter's journey is the headline example, but it's also just one of many.  Expansion continues to give a platform to artist who might otherwise be ignored.  And, as long as the majors prioritise algorithms over artistry, the role of independent labels like Expansion will only become more critical.  They're not just keeping the music alive; they're keeping the soul in soul.

Expansion Records celebrates its 40th Anniversary, 1986 to 2026.

In a world oversaturated with streaming platforms, algorithmic playlists, and short-form social content, one might assume that soul music, with its rich legacy, emotive delivery, and roots in community, would fade into the background. But that couldn’t be further from the truth. Soul music is not only surviving; it’s thriving. And its resurgence owes much to the digital radio stations that have become the genre’s new beating heart.

Stations like SolarRadio.com, Mi-Soul.com, and others have become more than mere broadcasters, they are cultural hubs, community anchors, and lifelines for both veteran artists and new voices in the soul genre. In the age of faceless algorithms and passive listening, these stations restore the human connection and curatorial expertise that soul music depends on.

From Pirate Frequencies to Digital Powerhouses

To understand the power of these digital stations, it’s worth recalling the history of soul music’s relationship with radio. In the UK especially, stations like Solar Radio began as pirate broadcasters, rebellious outposts giving a voice to music marginalised by mainstream media. With tight radio playlists dominated by pop and rock, soul music fans relied on late-night frequencies and cassette tape culture to get their fix of Luther Vandross, Loose Ends, or Maze featuring Frankie Beverly.

Fast forward to today, and the same spirit of independence and community remains, only now it’s broadcast in high-definition audio, globally accessible, and no longer under threat of being shut down. Solar Radio and Mi-Soul have migrated from pirate frequencies to full digital operations, with DAB, online streaming, and mobile apps enabling soul to reach listeners in New York, Lagos, London, and Tokyo, simultaneously.

Curation Over Algorithms

Streaming services like Spotify and Apple Music have undoubtedly made music more accessible. But for soul music, a genre defined by emotional depth, nuance, and a deep connection to lived experience, recommendation algorithms rarely do it justice. An AI engine can’t distinguish between a glossy R&B pop track and a soul-stirring ballad steeped in gospel tradition. Nor can it trace the lineage from Aretha Franklin to Lianne La Havas, or from Donny Hathaway to Gregory Porter.

This is where digital soul stations excel. Programmes are curated by lifelong aficionados, DJs who live and breathe the genre, and often artists themselves. Solar Radio’s stalwart Tony Monson, without whom the station would not exist, alongside Richard Marzetti, Gary Spence and myself, Ralph Tee, to Mi-Soul’s roster which includes legends like Trevor Nelson, Ronnie Herel and Lindsay Wesker, all bringing decades of knowledge and passion to the table. Their selections aren’t designed to maximise skip rates; they’re built to nurture discovery, nostalgia, and community.

Classic cuts sit comfortably alongside new releases, a track from Teddy Pendergrass might be followed by something fresh from Moonchild or Cleo Sol. There’s a deliberate through-line, a narrative of continuity that streaming platforms simply can’t replicate.

A Platform for the Unsigned and Overlooked

For independent soul artists, getting traction on major streaming platforms is a tall order. Playlist placements are often gatekept by opaque algorithms and industry politics. By contrast, digital radio offers an immediate and authentic route to exposure.

Statins such as Solar Radio and Mi-Soul are known for championing both the icons and the up-and-comers. An unsigned artist with a solid track and professional mix has a real shot of being played, not just once, but potentially on rotation, discussed by presenters, and shared within loyal listener communities. That sort of exposure is gold dust for musicians working outside the pop mainstream.

This is particularly important for soul artists operating in genres like neo-soul, rare groove, funk, and modern gospel, all of which thrive on emotional resonance but can be overlooked in today’s trend-driven music economy. A cosign from one of these respected stations can lead to gigs, interviews, fanbase growth, and most crucially, sustainability.

Listener Loyalty and Cultural Credibility

One of the key factors driving soul’s survival on digital radio is the loyalty of its audience. Soul fans don’t tune in passively; they engage. They post shout-outs, they request deep cuts, they follow DJs from station to station, and they attend live events like the annual Luxury Soul Weekender in Blackpool, broadcasts and affiliated club nights. In this ecosystem, DJs aren’t just playlist curators, they’re tastemakers, ambassadors, and historians.

This fan behaviour creates a feedback loop: the stations support the artists, the listeners support the stations, and the genre continues to evolve without losing its essence.

It’s also worth noting that these stations carry cultural credibility. When Solar Radio puts together a Marvin Gaye tribute, or Mi-Soul hosts a night celebrating Women in Soul, it’s not a PR stunt, it’s a genuine homage. That authenticity has become increasingly rare in a music landscape where heritage is often exploited rather than honoured.

Beyond the Music: A Cultural Archive

What separates digital soul stations from streaming platforms is the deep contextualisation of the music. Presenters don’t just press play, they provide backstories, production credits, lyrical insight, and social context. For the listener, this enriches the experience. For the genre, it preserves legacy.

This is especially important as the original generation of soul pioneers age or pass on. Digital radio becomes an archive, a form of oral history where anecdotes, rare recordings, and cultural references are documented and shared in real-time. A 60-minute Curtis Mayfield special, for example, becomes both a celebration and a lesson in Black political history, musical innovation, and artistic courage.

The Future of Soul Is Digital – But Human

As bandwidth expands and listening habits shift, digital radio’s role in soul music is only set to deepen. Stations like Solar and Mi-Soul have already built hybrid models, blending livestreamed events, YouTube content, merchandise, and mobile apps with traditional radio formats.

But at the heart of it all is something delightfully analogue: a person with a microphone, spinning records they love, for a community that listens, feels, and responds.

For soul music, a genre born in the sanctified spaces of gospel choirs and the smoky basements of R&B clubs, that human connection is everything. And in a digital world increasingly dominated by machine learning and faceless media, digital soul radio is the genre’s sanctuary.

Conclusion

Soul music’s journey has never been easy. It has weathered the shifting tides of fashion, the constraints of radio playlists, and the fragmentation of modern media. But thanks to digital radio stations like Solar Radio, Mi-Soul, and others around the globe, the genre is not only surviving, it’s experiencing a renaissance.

By championing authenticity, curation, and community, these stations offer something that no algorithm ever could: a soul. And in doing so, they ensure that the music continues to speak, with power, with passion, and with purpose, to generations old and new.

If you’re a true fan of soul music, there’s one date you’ll want to circle in your diary: Friday 9th to Sunday 11th January 2026. That’s when the 30th Luxury Soul Weekender takes over the Grand Hotel, North Promenade, Blackpool for a milestone celebration of live soul, DJs, and community spirit.

Not only does this mark the 30th edition of the UK’s most prestigious winter soul event, but it also coincides with 40 years of Expansion Records, the legendary label behind the festival. With headliners like Ann Nesby and Ashley Scott, the 2026 Weekender is set to be the biggest and most memorable yet.

Here’s why you cannot miss the Luxury Soul Weekender 2026 in Blackpool.

1. An Historic Double Celebration – 30 Weekenders and 40 Years of Expansion Records

The Luxury Soul Weekender Blackpool has been running for nearly three decades, attracting fans from across the UK and beyond. In January 2026, it celebrates its 30th event, a huge achievement in itself.

But that’s not all. Expansion Records, the independent soul label that launched in 1986, is also celebrating its 40th anniversary. For four decades, Expansion has kept soul thriving in the UK, introducing new talent and keeping timeless grooves alive.

This dual milestone makes the 2026 event more than just another festival. It’s a celebration of soul history, community, and the future of the genre.

2. Ann Nesby Live in Blackpool – Soul Royalty Returns

A headline like this deserves a legend, and the organisers have delivered. Ann Nesby, former lead singer of the Grammy-winning group Sounds of Blackness, (Optimistic, In The Spirit), will perform live on Saturday night.

Nesby is more than a singer – she’s a force of nature. With her powerhouse vocals and uplifting stage presence, she embodies the spirit of soul and gospel. Fans can expect classics from her Sounds of Blackness days, along with her acclaimed solo material.

If you’ve ever wanted to experience a true soul icon live in the UK, the Ann Nesby Luxury Soul Weekender 2026 concert is your chance.

3. Ashley Scott – The New Voice of Modern Soul

Flying in from Philadelphia to make his UK debut is Ashley Scott, (nephew of Helen Scott of The Three Degrees), one of Expansion Records’ brightest stars. A modern soul singer-songwriter with a rich, smooth sound, Scott bridges the gap between classic influences and contemporary style.

His appearance at the 30th Luxury Soul Weekender Blackpool reflects what the event does best: honouring the legends while showcasing the future of soul. Expect fresh grooves, heartfelt lyrics, and a performance that will win over new fans.

4. More Than a Concert – A True Soul Community

What sets the Luxury Soul Weekender apart from other music festivals is the atmosphere. This is not just a gig; it’s three days of soul culture, where live performances, DJ sets, and dancefloors run day and night.

The Grand Hotel becomes a hub for soul lovers, with different rooms dedicated to various eras and styles:

• Classic Motown and Northern Soul for the purists.
• Modern soul grooves for dancers.
• Contemporary R&B and jazz-influenced sets for the forward-thinkers.

It’s not unusual to see generations mixing on the dance floor – from fans who’ve been collecting vinyl since the 70s to younger audiences discovering soul for the first time.

This sense of community and connection is why so many people return year after year. And for the 30th edition, the energy will be off the scale.

5. The Venue – Blackpool’s Grand Hotel on the North Promenade

The Grand Hotel, Blackpool, has become synonymous with the Weekender experience. Situated on the famous North Promenade, it’s the perfect setting for a seaside winter celebration of soul.

Inside, the hotel’s function rooms are transformed into buzzing arenas for live concerts, late-night parties, and social spaces where fans connect over a shared love of music. Outside, the crisp January air of the seaside adds to the unique charm of the event.

6. A Bridge Between Generations of Soul Lovers

The Luxury Soul Weekender 2026 is as much about the future as it is about the past. While headliner Ann Nesby represents a golden legacy of soul and gospel, Ashley Scott shows where the genre is heading.

That intergenerational spirit defines the event: it’s a place where younger fans can learn about the roots of soul, and where veteran fans can discover the rising stars keeping the flame alive.

7. Why This Year’s Weekender is Truly Special

Every Luxury Soul Weekender is memorable, but the 30th anniversary in 2026 has a unique weight to it. It’s a chance to look back at 30 successful events that have kept soul culture thriving in the UK, and at the same time, to look forward to what the next 30 could bring.

From legendary DJs spinning rare grooves to live sets that leave you breathless, this will be an historic soul music event in the UK.

8. How to Be There – Booking and Info

The 30th Luxury Soul Weekender 2026 runs from Friday 9th – Sunday 11th January at the Grand Hotel, Blackpool FY1 2JQ.

• Booking hotline: 01253 623434 (Mon–Fri, 9–5 – option 3, ask for Sally or Gail).
• Website: luxurysoulweekender.com
• Email: [email protected]

Tickets and hotel packages always sell fast, and with Ann Nesby and Ashley Scott live in Blackpool, this year’s demand is expected to be huge.

Final Word – Don’t Miss the 30th Luxury Soul Weekender

The Luxury Soul Weekender Blackpool 2026 isn’t just another event – it’s a landmark in UK soul history. With 30 editions of unforgettable weekends behind it and 40 years of Expansion Records shaping the soundtrack, this is a once-in-a-lifetime celebration.

Ralph Tee of Expansion adds “Ann Nesby is soul music royalty, one of the few big voices of the genre still performing and we are very lucky for her to agree to travel so far from the USA when she is in constant demand at home. Especially when our event is in the North West of England in winter!”

Whether you’re a lifelong soul fan or someone just discovering the magic of the genre, the combination of Ann Nesby live in the UK, Ashley Scott representing the future, and three days of non-stop soul culture makes this the most important soul music event of 2026.

NB:  A limited number of non-accommodation all weekend wristbands are available from Ticketline:  

Don’t miss your chance to be part of history.

Beloyd – “Get Into Your Life”

If you know Earth, Wind & Fire’s rocket-fuelled “Getaway”, you already know Beloyd. Bernard “Beloyd” Taylor co-wrote that 1976 hit before cutting his own sublime modern soul single a year later for 20th Century Records. “Get Into Your Life” arrived in 1977, often coupled with “Today All Day”, and over time became one of those needle-to-the-label grails, scarce, expensive, and whispered about by collectors for its bright hook, warm production and mid-tempo glide. The record’s appeal is obvious: the songwriting chops that made “Getaway” a smash are channelled into something more intimate and quietly insistent, dancefloor friendly without shouting for attention. Original US 7"s sit on 20th Century (cat. TC-2353), including promo copies with stereo/mono cuts, which is part of why clean originals are thin on the ground. Beloyd’s roots in Cleveland outfit S.O.U.L. and his later work with EWF seal the pedigree; this new 7" gives the tune the accessible home it should have had all along. 

The Jackson Sisters – “I Believe in Miracles”

Few records sum up rare groove mythology better. Five sisters from Compton (based in Detroit), produced vocally by Bobby Taylor and Smokey’s Miracles alumnus Pete Moore, arranged by Gene Page, singing a Mark Capanni composition that first surfaced on Capitol as a 1974 promo. The Jackson Sisters’ version originally slipped out on Prophesy in 1973, dipped in the US, then detonated in the UK during the mid-80s rare groove wave, re-charting in June 1987 and peaking at No. 72. What you get here is an evergreen: elastic bass, sweet-as-sugar harmonies, and that indelible chorus that’s powered countless floors from Southport to Soho. It’s the sort of record you think you know until you hear it on a crisp 45 and remember why it became a scene standard in the first place.

The Nicky Newarkers – “Woman”

Blink and you’d miss their entire discography: a short-lived New Jersey group who left behind a single Mercury 45 in 1976, “Leave Me Or Love Me” backed with “Woman”. The latter is the diamond, a soulful dancer with a light, tipsy vocal hook and a rhythm section that walks the line between Jersey bar-band grit and mid-70s big-label sheen. Cuban-American producer Jesus Alvarez oversaw the session with Jerry Ross; the credit alone tells you the cut was made with ears tuned to dancefloor traction. Original promos are notoriously scarce and have fetched strong money for years, largely because “Woman” kept doing the rounds in modern/northern rooms while the group itself remained maddeningly undocumented. This fresh 7" is your chance to own the myth without remortgaging the house.

Father’s Children – “Hollywood Dreaming”

Washington, D.C.’s Father’s Children began as a late-60s doo-wop outfit called The Dreams before evolving into a sophisticated funk-soul ensemble. By 1979 they’d landed at Mercury in Los Angeles, with Wayne Henderson (The Crusaders) producing and Side Effect’s Augie Johnson co-piloting, enlisting players like Bobby Lyle and Dean Gant for extra gloss. The album’s opener “Hollywood Dreaming” is the sweet spot: lush horns, airy harmonies and a pocket that feels custom-built for rare groove floors. It didn’t trouble the charts at the time, the album under-performed, a victim of label turbulence and timing, but the tune endured, sampled and spun into cult status. On 7", back-to-back with period companions, it finally plays the role it was built for: a four-minute ticket to sun-streaked LA via Adams Morgan. 

We The People – “Making My Daydream Real”

Not the garage-rock band, this is the early-70s soul outfit who cut a lone Lion Records single in 1973. “Making My Daydream Real” is the A-side and it’s all there in the title: dream-state strings, stepping drums, and a vocal that stays cool while the arrangement lifts and lifts. Written by Landy McNeal and manufactured by MGM, the record is one of those 45s that modern soul DJs quietly slip into peak-time sets because it bridges sweet and stepper without breaking a sweat. The flip, “Whatcha Done For Me, I’m Gonna Do For You”, is a tidy companion, but it’s the A-side’s combination of melody and motion that’s kept copies circulating at a premium. If your box needs a mid-tempo weapon that isn’t rinsed to death, this is it. 

The Bar-Kays – “Open Your Heart”

Memphis survivors, Stax graduates, Mercury hitmakers, few bands have worn more eras than The Bar-Kays. After the tragedy of ’67, the group rebuilt and by the late ’70s were deep into a potent run on Mercury (“Shake Your Rump to the Funk”, “Boogie Body Land”). “Open Your Heart” comes from the 1980 LP As One, produced by longtime collaborator Allen Jones, and it’s a perfect snapshot of their post-disco glide phase: sleek rhythm guitars, plush synths, and Larry Dodson pleading through a hook that sticks. Some territories coupled it on 7" with other album cuts; either way it’s a fan favourite that slipped through the cracks for casual listeners while becoming a connoisseur’s choice for smooth-stepping floors. Putting it back on a dedicated 45 is long overdue. 

Why these six belong together

Across these sides you can trace the soul continuum: independent hustle meeting major-label polish, regional stories cutting through industry noise, and songs that quietly refused to die. Beloyd’s cut shows how a hitmaker can bottle lightning twice, once for EWF, once for himself. The Jackson Sisters demonstrate the UK scene’s power to re-write a tune’s history a decade later. The Nicky Newarkers represent the beautiful one-that-got-away, rescued from the collector’s market. Father’s Children capture D.C.’s move from grassroots harmony to glossy West Coast soul. We The People prove there’s still gold hidden in the mid-’70s racks marked “Lion/MGM”. And The Bar-Kays remind you that veterans can pivot into the next sound without losing their bite. 

This isn’t nostalgia for nostalgia’s sake. These are functional records, 45s designed to move a room. Cue them up and you’ll hear why they’ve lived in the bags of working DJs for decades: proper song craft, fat grooves, and that under-the-skin feel you can’t fake. Expansion putting them back on fresh, loud sevens is more than housekeeping; it’s preservation, and it gives a new crowd the chance to drop the needle on originals without the original-only price tag.

So, whether you came up on a rare groove in ’87, caught the modern soul bug later, or you’re brand new and just hear the magic in a four-minute A-side, this run has your number. Six seven-inch wonders, built for the moment when the lights drop, the floor opens, and the chorus you thought you only knew from comps suddenly explodes from a piece of spinning black plastic. That’s the miracle. Now make it real.

• A Rare Live Performance, On Video.  Live footage of these original Philly Soul legends, especially performing together outside the United States, is rare to the point of being almost mythical. This isn’t just a concert film; it’s a time capsule. For younger fans, it’s a chance to witness legends they’ve only heard on vinyl. For older fans, it’s a trip back to a golden era.
• B. An All-Star Line-Up in one collection.  It’s one thing to see any of these artists individually. To have them all in one show? That’s like soul music’s Avengers assembling. Each set flows naturally into the next, and the collaborations give the concert a festival-like feel, with the artists feeding off each other’s energy.
• C. A Preservation of Musical Legacy.  Some of these artists are no longer with us. This video is not just a performance, it’s a preservation of their craft, their stage presence, and their ability to connect. Every joke between songs, every spontaneous vocal riff, every cheer from the crowd, it’s all part of the living history.
• D. Expansion Records’ Seal of Quality.  Expansion Records is the UK’s leading soul label for a reason. They don’t just release music; they curate it. Their commitment to high-quality production and historically significant projects is clear here. The video runs a generous 1 hour and 41 minutes, ensuring nothing feels rushed or chopped.
• E. Emotional Depth and Musical Brilliance.  Philly Soul is as much about feeling as it is about sound. This performance brims with both. From Carne’s soaring vocals to Wansel’s masterful keys, Sigler’s charm to Paul’s gravitas, the emotional range is staggering. It’s an album you can watch, and that’s priceless.

Expansion Records has long been a trusted home for quality soul, jazz-funk, and R&B music. From reissuing legendary classics to introducing fresh talent, the label continues to bridge the past with the present. In today’s soul renaissance, Expansion is not only preserving heritage but also nurturing the next wave of artists who are redefining contemporary soul music. Among these standout voices are Patrice Isley and Ashley Scott, two dynamic artists whose unique soundscapes, lyrical depth, and emotional resonance are making waves across global soul charts.

In this feature, we take a closer look at their artistry, their journey, and what it means to be part of the Expansion Records family,a label that continues to champion authentic, independent soul music.

Patrice Isley: A Voice of Soulful Introspection

Who is Patrice Isley?

Patrice Isley is no stranger to the industry. A classically trained musician, vocalist, songwriter, and producer, her career spans decades of work both behind the scenes and centre stage. Drawing comparisons to Anita Baker and Phyllis Hyman, her sound is warm, emotionally textured, and spiritually grounded. Her recent releases under Expansion Records have introduced her to a wider audience of soul aficionados seeking depth and elegance in modern R&B.

The Sound of Patrice Isley

Patrice’s music is drenched in sincerity and nuance. Her voice,earthy yet refined,carries stories of love, loss, hope, and healing. Standout tracks like her stunning cover of “Harvest For The World” and the soulful house original “Your Face Makes Me Smile” evoke a timeless sophistication, blending smooth jazz elements with contemporary soul rhythms. There’s an intentionality in her delivery, each note purposefully placed, reminding us that real soul music is a conversation, not just a performance.

She weaves personal reflection with universal themes, making her music not only relatable but deeply restorative. Her instrumentation is lush but uncluttered,highlighting her vocals rather than overpowering them. You feel every word.

Patrice Isley states: “Being part of the Expansion Records family means the world to me. With over 40 years of championing iconic voices and extraordinary talent, Expansion has carved out a legacy that is nothing short of legendary. To have my music released under this label is not just an honour — it feels like a divine blessing and is something I hold in the highest regard.

Given my last name, Isley, and my own journey working alongside some of the greats — many of whom have appeared on Expansion’s much-anticipated Luxury Soul compilations — this partnership feels beautifully serendipitous. The exposure to an overseas market has been an incredible bridge, expanding not just my reach, but my connection to a whole new audience.

Meeting the iconic Ralph Tee in person, along with some of the label’s passionate listeners and fans at the Luxury Soul Weekender, was a moment of realisation — the impact and reach of Expansion Records is profound. I’m deeply grateful to Expansion for believing in my music.”

What Patrice Isley Brings to Expansion Records

Patrice Isley adds a richness to Expansion’s catalogue,a sound that sits comfortably between classic quiet storm and modern soul lounge. Her music aligns with the label’s ethos of releasing “music with meaning,” and she embodies the type of artist who matures with every project, offering lasting value to soul fans worldwide.

Expansion’s support of Patrice is a testament to their ongoing commitment to nurturing artists who carry soul music’s emotional and spiritual torch forward. With expertly crafted arrangements and heartfelt lyricism, Isley’s work under the label positions her as one of the most compelling new voices in adult contemporary soul with a nod to the Isley Brothers of which she is distantly related.

Ashley Scott: The Sophisticated smooth stylist of Modern Soul

Introducing Ashley Scott

Ashley Scott is part of a new generation of soul singers who understand the genre’s traditions while confidently crafting its future. Based in Philadelphia,a city steeped in soul history,Scott blends smooth R&B grooves with lyrical intimacy and stylish production. His partnership with Expansion Records marks a pivotal chapter in his growth as an international artist.

Ashley Scott’s Signature Style

With a voice reminiscent of 1980s R&B greats like Luther Vandross and Alexander O’Neal, Ashley brings suave, polished vocals to every track. His music is heartfelt yet rhythmically infectious,making him equally at home on quiet storm playlists and uptempo dance floors.

Tracks such as “Words”, “Dance The Night Away”, and “Together” showcase his versatility. Whether delivering a romantic ballad or a mid-tempo jam, Ashley’s performances are consistently smooth, sincere, and soulful.

His 2025 EP, “Love You For All Time”released through Expansion, received critical acclaim for its production quality and lyrical richness. The project stands as a strong statement of his identity,offering groove-laden, emotionally intelligent R&B that speaks directly to the heart.

Ashey says: “Having my album ‘Love You For All Time’ released on Expansion Records in the UK is not just a career milestone, it’s a spiritual and artistic full-circle moment. This journey began when I reached out to Ralph Tee about reissuing the four classic albums by the legendary Webster Lewis, one of the great architects of soulful jazz. Ralph not only welcomed the dialogue but honored me by inviting me to contribute to the liner notes (a gesture that set the tone for a relationship built on mutual respect and a shared love for timeless music). He then included my debut single “Words” on Luxury Soul 2017, and later my global anthem “Don’t Throw Our Love Away” on Luxury Soul 2023, giving my voice a home among the genre’s finest. To now be releasing a full album like ‘Love You For All Time’, a project rooted in legacy, love, and lyrical truth, on the same label that represents my mentor Jean Carne, who now calls me her “label mate”, and carries the memory of my late friend and mentor Nathan Heathman, whose ‘Right Here Right Now’ graced Expansion in 2001, is profoundly meaningful. This album is more than music, it’s a tribute to the lineage I come from, the mentors who paved the way, and the soul tradition I’m honored to continue on a label that truly understands its power.” 

Expansion Records and Ashley Scott’s Rise

Being part of the Expansion family has amplified Ashley Scott’s presence in the UK and European soul scenes, where discerning listeners still value high-quality, independent R&B. Through the label’s distribution and promotional networks, Scott’s music has charted, gained international radio play and festival bookings that continue to expand his reach.

Ashley’s addition to the label isn’t just about chart success,it’s about longevity. Expansion understands how to build artists with integrity, not just hype. Their partnership ensures that Ashley’s catalogue will be curated, protected, and cherished by fans who value artistry over algorithm.

Expansion Records: Nurturing New Soul Talent

A Legacy of Excellence

Founded by Ralph Tee and Richard Searling, Expansion Records has been at the forefront of the UK’s soul music landscape since the 1980s. The label has always struck a delicate balance between honouring legacy acts, such as Leon Ware, Phyllis Hyman, and Linda Clifford,and discovering the stars of tomorrow.

This dual focus sets Expansion apart. Rather than chasing trends, they cultivate careers. Their dedication to vinyl, liner notes, and curation resonates with listeners who see music as more than just content,it’s culture.

Why Expansion Matters for Contemporary Artists

For artists like Patrice Isley and Ashley Scott, joining Expansion Records isn’t just a business move,it’s a badge of honour. It signals that your work aligns with a heritage of excellence. It says you’re not here to play the game; you’re here to shape it.

Expansion provides:

• Global distribution and PR focused on adult soul audiences
• Vinyl and digital releases that cater to collectors and streamers alike
• Radio and playlist promotion through tastemakers in the UK, Japan, and Europe
• A loyal audience base of soul heads who actively buy, share, and support music that moves them

The Future of Soul is Now

The emergence of artists like Patrice Isley and Ashley Scott under the Expansion Records banner sends a clear message: soul music isn’t stuck in the past,it’s thriving in the present.

What unites both artists is not only their vocal prowess but their understanding of soul as storytelling. Their lyrics explore vulnerability, resilience, connection, and passion,reminding us that the best soul music reveals the human experience in all its complexities.

In an industry often driven by viral hits and fleeting fame, Expansion’s focus on real talent, real stories, and real sound gives space to voices that deserve to be heard. And in Patrice and Ashley, the label has two gems that exemplify everything soul music should be: heartfelt, timeless, and true.

Listen, Support, and Share

Want to discover more?

• Explore Patrice Isley’s music on expansionrecords.com.
• Dive into Ashley Scott’s catalogue, also on expansionrecords.com
• Follow Expansion Records on social media for the latest releases and updates from the UK soul scene.
• Purchase limited edition vinyl releases and exclusive CDs from expansionrecords.com.

When you support an independent soul artist, you're not just buying music, you’re keeping an artform alive.

Final Thoughts

Expansion Records continues to do what few labels dare to do in 2025, invest in real music by real artists for real listeners. Through Patrice Isley and Ashley Scott, the label is breathing new life into contemporary soul, providing platforms for sophisticated storytelling, world-class vocals, and an unshakeable groove.

These are not just new voices in soul; they are the next classics in the making.

Buy Now

Explore the catalogue at expansionrecords.com and support artists who laid the foundations of modern R&B, jazz-funk and soul.  From rare grooves to modern classics, it's more than music.  It's a movement.

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