In the vibrant tapestry of 1970s and early 80s music, certain artists defied easy categorisation, blending genres with a fearless creativity that pushed boundaries and enriched the sonic landscape. Webster Lewis was one such artist – a brilliant pianist, keyboardist, composer, arranger, and bandleader whose work spanned jazz, funk, soul, and disco, leaving an indelible mark on each. The release of "Give Me Some Emotion – The Epic Years Anthology 1976-1981" by Expansion Records is a timely and essential celebration of his most prolific and ground breaking period, offering a comprehensive look at an artist whose influence continues to resonate.
From Baltimore to the World Stage
Born in Baltimore, Maryland, Webster Lewis's musical journey began with a classical foundation, training at the New England Conservatory of Music. This rigorous background provided him with a profound understanding of theory and composition, which he masterfully integrated into his increasingly diverse musical explorations. While his roots were in jazz, Lewis possessed an insatiable curiosity and a rare ability to bridge the gap between academic sophistication and street-level groove.
By the mid-1970s, Lewis had established himself as a formidable presence in the jazz world, but his vision was far grander. He understood the evolving soundscapes of the era, recognizing the burgeoning power of funk, soul, and disco. His move to Epic Records marked a pivotal moment, allowing him the platform to fully unleash his eclectic genius and bring his ambitious projects to life.
The Epic Years: A Kaleidoscope of Sound
"Give Me Some Emotion – The Epic Years Anthology 1976-1981" meticulously chronicles this incredibly fertile period, showcasing Lewis's four albums for the label: "On The Town" (1976), "Touch My Love" (1978), and "8 For The 80's" (1979). These albums are a testament to his versatility and his uncanny ability to craft music that was both intellectually stimulating and undeniably danceable.
His debut Epic album, "On The Town” immediately signaled his intentions. While firmly rooted in jazz-funk, it showcased a pop sensibility and an adventurous spirit. Tracks like "Barbara Ann" demonstrated his intricate instrumental prowess, while others hinted at the soulful vocal arrangements that would become a hallmark of his later work. It was an exciting introduction to an artist unafraid to experiment.The album also saw Lewis further refine his sound, incorporating more prominent vocal features and tightening his grooves. This album is a masterclass in sophisticated funk, with Lewis's keyboard work – from the Fender Rhodes to synthesisers – providing rich textures and infectious melodies. It was on this record that his ability to weave complex arrangements into accessible, feel-good music truly blossomed.
The title track of "Touch My Love" became a signature tune, an enduring classic that epitomises the sophisticated disco and soulful R&B of the era. This album showcased Lewis's growing mastery of vocal production, featuring collaborations with talented singers who brought his lush compositions to life. It's an album brimming with warmth, romance, and an irresistible groove that has stood the test of time. This period also saw Lewis's growing recognition, with "Touch My Love" becoming a hit and solidifying his reputation beyond jazz circles.
"8 For The 80's" served as a prophetic capstone to his Epic tenure, showcasing his forward-thinking approach. As the title suggests, Lewis was already looking ahead, incorporating new electronic sounds and a more polished production aesthetic that anticipated the coming decade. Tracks from this album demonstrate his continued evolution, proving he was never content to rest on his laurels but always pushing the boundaries of contemporary music. In the soul world the album had the uncredited Johnny Baker taking lead on Webster’s most recognised song “Give Me Some Emotion”
Finally “Let Me Be The One” presented classics in the genre become known as jazz funk, namely “El Bobo” and an album with an all star line up of guest musicians including Nathan Watts (bass), James Gadson (drums), David T. Walker (guitar), Marlo Henderson (guitar), Willie Bobo (percussion), and Fred Wesley (trombone) in a full horn section.
Beyond the Albums: A Master Arranger and Collaborator
What makes Webster Lewis's contribution so significant, and what this anthology subtly highlights, is not just his work as a bandleader, but his extraordinary talent as an arranger and producer. He had an innate ability to bring out the best in his collaborators, crafting lush horn sections, intricate string arrangements, and compelling vocal harmonies that elevated every track.
His bands during these years were often comprised of top-tier musicians, a testament to his reputation and the quality of his musical vision. He knew how to blend individual virtuosity into a cohesive, powerful sound. Lewis was also a sought-after session musician and arranger for other artists, his touch adding a layer of sophistication to countless recordings during this era. His influence extended beyond his own discography, permeating the broader musical landscape of the time.
The Sound of an Era, Reimagined
Expansion Records has done an exceptional job with "Give Me Some Emotion." Known for their meticulous curation and dedication to preserving the legacy of soul, jazz, and funk, they have created an anthology that is both comprehensive and lovingly presented. This collection isn't just a re-release; it's a contextualisation, allowing listeners to fully appreciate the arc of Lewis's creativity during these pivotal years.
For long-time fans, this anthology is a treasure trove, potentially offering remastered sound, detailed liner notes, and a chance to rediscover tracks that might have been overlooked. For newcomers, it serves as the definitive introduction to an artist whose work is both historically important and remarkably fresh even today. The packaging, the sound quality, and the overall presentation reflect Expansion Records' commitment to excellence, ensuring that Webster Lewis's music receives the reverence it deserves.
An Enduring Legacy
Webster Lewis's contributions to music are vast and multifaceted. He was a bridge-builder, seamlessly connecting the worlds of jazz, soul, and disco at a time when musical boundaries were often rigidly enforced. His arrangements were sophisticated yet soulful, his compositions complex yet undeniably catchy. He possessed a unique flair for melody and groove, underpinned by a deep understanding of harmony and structure.
"Give Me Some Emotion – The Epic Years Anthology 1976-1981" reminds us that Lewis was more than just a keyboard player; he was a visionary. He created music that was intelligent, infectious, and deeply emotional. His work continues to inspire DJs, producers, and musicians, proving that true artistry transcends time.
This anthology is a celebration of a man who gave us not just some emotion, but a rich tapestry of sounds and feelings that continue to enrich our lives. It's a testament to the fact that some musical journeys, even those from decades past, are still vibrant and ready to be explored anew.
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